Sunday, December 23, 2012
EVERYTHING MELLOWS WITH AGE
Thursday, December 20, 2012
THE THIRTEENTH BAKTUN
THE THIRTEENTH BAKTUN
When it was first conceived, in the forth and third century, before the establishment of the Gregorian calendar, the Maya priests, in Mesoamerica, deliberated on the possibility of altering their vegisimal system already established, with the abstract alternative of eliminating the finite. Thus they created the zero.
This allowed for mathematical exceptions, concerning what was related as an exact four hundred days, on a solar calendar, to come out to three hundred and sixty. As it worked out, that was correct and with this abstract conception of time, four hundred years counted for one Baktun. If you multiply that by thirteen, you arrive at the Gregorian year 0f 5,200 and this is where the story should begin. But it doesn't.
"The precept is sound, even though it does not correspond to the existing numerical order of 20 or one aunil."
"Anything that alters the nature of the universe alters the nature of man."
"Man and the universe are one. We must find a way to define that."
"It has already been defined by one kin and aunil"
"Yet this numerical value is at best flexible. It has been determined by our celestial observations. Would we impose on nature if we were to try to understand it better?"
These ideas were related in curt monotones, but they were comprehensible. The language promoted that effect. It was devoid of adjectives and limited to definite nouns. It was, in short, mathematical.
The Maya priests, who sat cross crossed legged on animal skins, on the top of a great temple, remained mute. There was no competition here. They were merely minds, who were locked into a separate, coherent existence, attempting to define time.
"Then we agree. We will not forget the established structure for its numerical value; rather add a zero to allow for the variation of the universe."
It was not a question, nor an answer, for there was nothing definite here. Everyone knew that they would not be present for the Thirteenth Baktun. Alas, it was all speculation. Who could imagine that the universe would evolve under the same calculation? Perhaps it was too abstract to consider otherwise and yet the world settled into the Thirteenth Baktun.
Tuesday, November 13, 2012
The Painting
Saturday, February 18, 2012
TRANSFERENCIAS TRASCENDENTALES
Friday, February 3, 2012
DEATH B Y WATER
DEATH BY WATER
HARRY THOMAS DANVERS
THE WASTE LAND…………………T.S. ELIOT
Phlebas the Phoenician, a fortnight dead
Forgot the cry of gulls and the deep sea swell
And the profit and loss
A current under the sea
Picked his bones in whispers
As he rose and fell
He passed the stages of his youth
Entering the whirlpool
Gentile or Jew
O you who turn the wheel and look to windward
Consider Phlebas, who was once handsome and tall as you
Mike was neither tall nor handsome. He was not even a sailor, but he died by water.
We had met at the local internet center in Quetzaltenango, Guatemala. He said he had bought all my self-published works of poems and short stories and had liked them and wanted to read more. We were both of Irish descent, so we had a love of literature and music. When I told him that I was also a painter, he insisted that he should visit my place, up on the mountain and I was all for it, but the weather came between.
It was one of those times that you thought that the rain would never stop. There were no sea gulls in the mountains, but the rivers overflowed and the streams were lost in the current. It was precisely and that point that Mike decided to visit me. It was at night.
The torrents of water and mud made all transportation impossible, but Mike was not daunted. With no further formality than a loud burst of laughter, he got out of a waylaid, downtrodden taxi and entered my adobe dwelling. The luxurious repast which ensued would have rivaled the most glorious fetes of the Knights of the Round Table.
But the rain did not stop. Mike not only brought the basic necessities, like a bottle of good rum, but also all the delicacies which could be bought from the American subsidized supermarkets that had swamped Latin America and threatened the rest of the world as well.
Due to the inclemency, we were forced to take refuge in the library. It was also made of adobe but somehow isolated us from the incessant downpour. The oblong room was filled with rustic book shelves that harbored some six thousand volumes. For me, it was paradise and if I had to perish with my books, that would be enough.
The handmade table was spread with a white, Irish tablecloth. It was a gift from my mother and thus not often used. This, however, was a special occasion.
We ate the imported cheese and consumed the whole bottle of Puerto Rican rum. The rain never ceased, but we were mellowed against the adversities of nature. Now the white tablecloth was stained by our mutual frivolity, so I decided to roll a joint and pulled out my guitar. Mike enjoyed my diverse repertoire, stretching from Bob Dylan to the shores of Ipanima. We had a great time, but the rain didn't stop. We told him we could rig something up for him for the night but he insisted that he could get a cab. He said he came from Oregon. This was nothing for him. He laughed and he was gone.
He came to my art exhibitions and we had a few beers and jokes. In fact, the last time I saw him was at an exhibition I had in December. He told me: "You know Harry, I don't know anything about art, but I sure do like your colors..." I never saw him again, for he drowned in the Pacific. Perhaps there was…"a current under the sea (that) picked his bones in whispers..." and in a moment.."he passed the stages of his youth…Entering the whirlpool…"
He was not tall and handsome like Phlebas the Phoenician sailor, but he was my friend.